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The two singles released to date by Ashnymph are hard to categorise: their own description of the sound as “subconscioussion” leaves listeners guessing. Their initial track Saltspreader blended a pounding industrial rhythm – bandmember Will Wiffen has occasionally been spotted on stage in a tee that bears the logo of industrial metal pioneers Godflesh – with vintage-sounding synthesisers and a guitar riff that subtly echoes the classic Stooges track I Wanna Be Your Dog, before dissolving into a barrier of unsettling sound. The planned result, the band has indicated, was to evoke motorway travel, “the ceaseless flow of vehicles all day long over great lengths … orange lights at night”.

Its follow-up, Mr Invisible, occupies a space between nightclub tunes and unconventional alternative rock. Firstly, the track’s rhythm, strata of mesmerizing synths, and singing that comes either trippily blurred or spellbindingly cyclical in a way that evokes the classic Underworld album era all suggest the dancefloor. Alternatively, its powerful concert-like energy, near-anarchic character and overdrive – “making everything sound crunchy is a long-term goal,” Wiffen noted – mark it out as clearly a group effort rather than a lone electronic artist. They've gigged around the independent music circuit in south London for under a year, “any spot with loud speakers”.

But both are exciting and different enough – from one another and other current music – to make you wonder about the band's future direction. Regardless of the form, on the evidence of Saltspreader and Mr Invisible, it’s sure to be engaging.

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